Me mata la espera!!!!

Mientras tanto revisaremos la clasica. Peliculon donde los haya!

Alguno lo ha hecho mas de una vez, de hecho. Muy significativo de como esta el personal.

Animo !!!

(Yo tuve ese tigre, #estoyhechounchaval T_T)

Yo creo que si haceis critica Jesus, y que teneis una frescura que es mas que necesaria. Proyecto Sinergias es uno de nuestros blogs favoritos (Y eto lo decimos sin animo ninguno de que nos toque el libro de Japon ^^).

La contraposicion esta muy bien traida, Publicar-Publicitar. Lo que va a resultar muy curioso debido a los tiempos y ritmos que las crisis imponen, es ver como lo que hasta ayer se publicaba (Alababa, publicitaba) se va a convertir ahora en objeto de critica y desprecio al grito de "No, si yo siempre dije que lo bueno era...". En esto, cualquiera de los mencionados es un experto en el arte de bailar la yenka de la chaqueta, y personalmente, estoy deseando ver como todo cambia..... para seguir igual...(Vaticino).

Como decian en Conan "Welcome to the days of High Adevnture! "

(Y Muchisimas gracias, estamos aqui mas sonrojados que Heidi en los dibujos..)

Bruno, I agree, Constant must be having a laugh as he can nowadays find pieces of New Babylon almost anywhere. And i'm sure if Debord was alive he'll probably had something to say about this times of crisis and espectacle.

Thanks for the tweeting Brijuni! and for all you wrote, coming from you makes me blush even more !!. I totally agree with the Ito-Tschumi relation. In fact i have always hoped that Tschumi is more credited as a main cornerstone to some of the theories and practices we are so keen on today: "the football player skates across the battlefield" is a daily motto for most architects today!.
It is so interesting that Emilio Tuñon talks about Rorty in your interview!!. I' ve had the pleasure of attending several lectures by T&M since i left the university (ten years now, sigh) and it always amazes me the cappacity to evolve without betraying their coherence.
As you have noticed, I'm specially interested in the fact that the rules and game-plans are a form of freedom that are capable of distortion and interaction with the outer conditions, or events, that surround them and modify them ("control of Random") thus making them even more interesting!!!.
Eagerly lookign for the interview ^_^.

Thanks for being first!

I'm so interested in the concept of play in architecture, and have been for the last 10 tears since i came across Huizinga's book "Homo Ludens".

I found it after reading about him in an exposition catalogue from Actar about the International Situationist expo held in Barcelona in...¿1998?. The book contained most of the Situationist published texts and i remeber it was an openminding reading. Although being the last of the Avant Gardes, and not a specially popular one, i feel that their search for "passion", for the rules for a new urbanism and their interest in "Le societe du spectacle" and "psicogeography" are nowadays more valid than ever. Just, for the fun of it, take a look at Constant Nieuwenhuys sketches for New Babylon and you'll find more than one quite actual architectural ressemblances. ^_^

Perhaps is this interest in passion as far as the creative process goes, the main cause of beliving that embracing them and aknoweleding that our obsessions are quite a big part of what we do is as liberating as the avid reading of Situationist texts was for me ten years ago.

By the way, 10 years ago it was hard to find situationist texts on print (Belive me it's my PHD subject, i know), but nowadays (Thanks internet!) you can find them ALL here:
http://library.nothingness.org/articles/SI/all/

Jajaja. No vale mirar la encuesta en n+1.

Yo me cepillaria el Enterpri.....perdon... el auditorio Princesa Letizia de Oviedo, o mejor aun avisaria a la armada imperial Klingon para que lo hicieran ellos.

^_^