alexwhite
18p12 comments posted · 0 followers · following 0
13 years ago @ Feld Thoughts - Swimming At Night · 0 replies · +1 points
Live acoustic performance of Nightswimming: http://www.youtube.com/watch?v=Qx9br5ISRpo
13 years ago @ The Blog - One Year of Data · 0 replies · +1 points
13 years ago @ TechCrunch - TechStars Graduate Loc... · 0 replies · +1 points
13 years ago @ Jacqueline Malan :: Ta... - Ditching the Cubicle t... · 1 reply · +1 points
14 years ago @ PeteSearch - How to split up the US · 0 replies · +1 points
14 years ago @ The Blog - If You Love It, Set It... · 0 replies · +1 points
14 years ago @ The Blog - Survival Guide: Bands ... · 0 replies · +1 points
14 years ago @ The Blog - The End of 2009 · 0 replies · +1 points
14 years ago @ The Blog - Survival Guide: Bands ... · 0 replies · +1 points
I believe that the educational component of what NBS and 4Sq are doing (blogging, speaking, case studies, one-on-one conversations etc.) is great but ultimately the ground will fully shift and all that will be left are those that understand the new game (or can hire someone who does).
Quick aside: I do believe that artists should be artists first and foremost. They are all unique and their willingness/interest in the online music world is part of their assets (or liabilities). There also won't be a uniform strategy for all of them. If they are interested in photography they can keep a photoblog, if they like live conversations they can publicize their AIM screen names etc.
One example: I went out on the road with a band called Sing It Loud a year ago and, like most of us, were entirely skeptical on the value of Twitter. I downloaded the client on their phones and reminded them to tweet everyday. At first it was forced but now they each have thousands of followers, love the direct connection with the fans and can see the value to their careers.
14 years ago @ The Blog - A Band's Guide to Surv... · 0 replies · +1 points
That is a point well taken, especially given your pioneering role in allowing artists to "only enter data once." The bigger message, and I think a major reason for ArtistData's rapid growth, is that you never know where your potential fans are spending their time. If you get even one true fan who goes to your shows, promotes your band to their friends and buys your merchandise it might be well worth the time investment.
Determining which sites are relevant for which bands is the next logical step and there could be some nice overlap between ArtistData and Next Big Sound in this arena? Down the road...
Alex