I love this! And as a lecturer in medieval history, I couldn't help immediately thinking of switching it around. "If Margery Kempe were your student":
- This poor creature would sob loudly through the pop quiz you set because you need an hour to catch up on marking essays
- This poor creature would submit tear-stained essays that nonetheless engaged energetically with the primary texts
- This poor creature would be a mother, worker and mature student and would still turn up to class earlier and stay later than her fellow students
- This poor creature would have a Dead Literary/Historical Boyfriend that she would bring up in every.single.class, regardless of relevance
He is SO PERFECT as Caesar, and his chemistry with Lindsay Duncan as Servilia was just off the charts. Some of my favourite sexual tension depicted on screen, both by actors of middle age - yessss! You're right about his versatility - I think that's not just due to his unconventional looks, but the fact that he's just a sterling actor. He completely inhabits his role. In the recent Game of Thrones he had a relatively small part but basically acted his co-actors off the screen each time.
Well, he is a Byronic hero, rather than a quiet and respectable landowner :) (Of course he holds a major estate, but one of the interesting things about Rochester is his revulsion away from his home turf because of what his family manipulated him into - while of course he benefits from the financial output of that estate. Lots of interesting economic and class things going on in Jane Eyre!)
Yes, that's precisely it. And it's why I hate Mansfield Park (despite being an Austen fan) and one of the reasons I love Jane Eyre.
OK HERE IS A COMMENT ABOUT A HOT PERSON: St John. Handsome, manipulative, controlling St John Rivers, who can't understand that other people have real emotions and who represses his own feelings in an overtly masochistic way. Will we EVER get a Jane Eyre adaptation that actually treats Jane's time with the Rivers family as anything other than a short interlude? Because it's clearly *vital*. I mean, the novel even closes with a reference to St John, come on. St John is meant to be enormously seductive, in his icy terrifying way - and what's seductive about him is that he offers oblivion. Jane could lose herself. She chooses not to; not only does she choose Rochester, but she chooses her freedom as an individual once again. Which is p much the point of the book. I've seen so many versions where St John is a kindly vicar and uuuugh.
Hot doesn't equal handsome!! Captain Wentworth is sexy as f.
I was so excited when he was cast as Rochester, and then he was given that absurd moustache. *weep*
He does marry Bertha very young. He then spends a couple of decades on the Continent; Adele is born during that time. It's clear from the book he has been mostly-away from England for most of his adult life.
That's what I LOVE about Dalton-Rochester! He is the only Rochester who really captures that somewhat unhinged element, as well as Rochester's humour (which is sometimes wry and dry and sometimes this strange carnival oddness). He's far too handsome to be Rochester, but as someone who's been in love with the novel since they were 9 and not yet found an adaptation that quite suits, he's been the closest thing.
You might enjoy this (English) reading of Lai d'Aristote, a medieval version of this story. :)
http://mednar.org/2012/06/13/aristotle-aristotles... It has a lot of extra entertaining details that the Latin exemplar linked to here doesn't have, because French authors like to fancy things up.