tomhigley
21p18 comments posted · 8 followers · following 1
14 years ago @ TechStars Blog - Venturing Around · 0 replies · +2 points
14 years ago @ Mendelson's Musings - Law Degree for Sale · 0 replies · +1 points
14 years ago @ Feld Thoughts - Are We Already Working... · 0 replies · +1 points
14 years ago @ Back in the Saddle: St... - Big Yellow Taxi (They ... · 0 replies · +1 points
14 years ago @ Feld Thoughts - Where Do My Music Righ... · 2 replies · +1 points
I've been using the service since Daniel Ek first showed it to me two and a half years ago. (It has completely changed the way I connect with recorded music.) Even then, Spotify already had a working iPhone version of the app, but this has never been available in the US (without a proxy hack). And the one thing that keeps this experience out of the hands of US consumers? Licensing issues.
The music industry as we know it was built on the back of copyright and recording and manufacturing technologies. The licensing issues we wrestle with today grew up over decades and created powerful prevailing norms (and interests) that have become immensely frustrating to most consumers because (a) most consumers know full well that technology would support a far superior music listening experience and far more liberal access to content, and (b) most consumers know full well that the resistance to these technologies and capabilities has been (and continues to be) managed by people who act as though the old way of doing things (Albums, CDs, physical distribution, etc.) is the norm. Indeed it was. But that norm is never coming back. Not ever. But that doesn't keep the "rights holders" from blocking the dissemination of technology that would make our music world a much richer, more satisfying place.
And I think Samantha's distinction - between rights holder and rights enforcer (e.g., the PROs and other rights organizations) is interesting. PROs act on behalf of the rights holders, and the legal provisions and systems they enforce (that create obstacles for Pandora and many, many others) are really just the codified notions of "fairness" created during a time when a "record" was wax or vinyl, the copyrights were easier to police and enforce (because you could keep someone from making the record, and if they couldn't make it or manufacture it, they couldn't very well distribute it), and digital distribution was a figment of some sci fi author's imagination.
I loved your description of the machine / human / machine / human interplay; and I hope the answer to "who decides" doesn't turn out to be "the machine." On a related note, I wish we could see the interplay between Asimov and Ray Kurzweil. And I always secretly suspected Azimov himself was part machine, or at the very least lobotomized - so he could type separate books and magazine articles simultaneously with each hand.
15 years ago @ TechStars Blog - 6 of 10 Boulder compan... · 0 replies · +1 points
15 years ago @ Mendelson's Musings - My Day at the Supreme ... · 1 reply · +1 points
A friend of mine from law school clerked for Breyer (and also for David Souter). He's the only person I know who had the good fortune to have clerked for two living members of the Supremes.
It seems highly unlikely that software patents will be addressed in the Court's final decision, but I'm sure we will all read the opinion - when the decision issues - with an eager eye toward what the Court might be expected to do in a case that is focused on software rather than business methods patents.
15 years ago @ Gnip: We got $h*t to pop - The only constant is c... · 0 replies · +1 points
15 years ago @ Feld Thoughts - Book: Bricklin on Tech... · 0 replies · +1 points
15 years ago @ Feld Thoughts - Book: Bricklin on Tech... · 2 replies · +1 points