I saw this film last night. It contains a few moments of invention and talent, but ultimately it is an illustration of Tarantino continuing to tread water and wallow in his past glories.

Go and see for : the opening scene (though still too long) which is well crafted and a decent effort to hook the viewer in, there's a nice tracking scene in the Parisian cinema and the odd well framed atmospheric shot. Christoph Waltz as Landa is superb and at the other end of the scale to Pitt who seems happy scraping the bottom of the cliche barrel nowadays. Hand on heart, the thing I admired most in this film was the apple strudel.